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1492: Conquest of Paradise Jul 28, 2014 Gérard Depardieu plays Christopher Columbus in Ridley Scott’s big-budget telling of the “discovery” of the Americas. This film is presented as part of Film in the Garden, the Museum's Monday night sundown film series in the May S. Marcy Sculpture Garden. 63 other events on Monday, July 28
 
News
San Diego planning director’s uphill battle to create walkable communities
Film
Documentary about the famous film critic leads our rundown of movies screening around town
Editorial
Kevin Faulconer should follow Dallas County Judge Clay Jenkins’ lead
Seen Local
Painter spends plenty of time curating and exhibiting interesting work online
Arts & Culture feature
A look at the late architect's lasting impacts as his murderer faces 15 years to life

 

 
 
Home / Blogs / Staff Blogs / Check 1, Check 2
 
 
Check 1, Check 2 | Music & nightlife 07.18.2014 9 days ago

Interview: Boris

Tokyo trio discuss their changing sound and new album

- By Jeff Terich

This week’s CityBeat features an overview of the experimental, shape-shifting Tokyo trio Boris, whose new album Noise was released last month via Sargent House. The group’s sound is a bit difficult to pinpoint, since all of their albums sound pretty radically different from one another. But the one (almost) constant in their sound is heavy rock ‘n’ roll—in various shapes and forms.

I conducted an email interview with the band’s guitarist Takeshi and drummer Atsuo through a translator, in which the group discussed their changing sound, different versions of their albums, and the departure of fourth member Michio Kurihara.

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at 01:35 PM | Permalink | Comments
 
 
Check 1, Check 2 | Music & nightlife 07.11.2014 16 days ago

Che Cafe granted a stay in court

Venue gets more time to fight eviction

- By Jeff Terich

After months of setbacks, The Che Café got a victory during a court hearing today, which allows it to remain in its current space until September. A judge ruled that the Che can remain in possession of its space while engaged in a legal dispute with UCSD over the university's action to evict the collective that runs the all-ages venue. The ruling allows the Che to continue operating for another 60 days, which strikes down the university's order to vacate the venue by July 14.

According to a press release issued by The Che Café, a preliminary-injunction hearing will be held on Aug. 1, and if the Che prevails, it will be able to continue operating in its current space until a final resolution has been reached. A post from the Che on Twitter this morning reads, "In essence we've been granted 60 more days to operate in this space to fight to keep it."

Prior to this ruling, the Che had no choice but to cancel all of its upcoming shows. This allows many of the shows to continue, though it's not yet been announced which shows are back on, or if any of them have been moved to other venues. 

The Che Café has also launched a GoFundMe campaign to raise money to pay for the repairs that are at the heart of its dispute with UCSD. It has raised $900 so far.

at 02:10 PM | Permalink | Comments
 
 
Check 1, Check 2 | Music & nightlife 05.23.2014 65 days ago

Che Cafe repairs funding voted down

Venue to close by September

- By Jeff Terich

The UC San Diego University Centers Advisory Board (UCAB), a student-run board that oversees how student fees are spent, voted today to cut The Che Cafe’s maintenance costs from its 2014-2015 budget, putting the future of the long-running, all-ages DIY music venue in doubt.

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at 07:12 PM | Permalink | Comments
 
 
Check 1, Check 2 | Music & nightlife 04.28.2014 90 days ago

Ghost live at House of Blues

Swedish ghouls bring theater back to heavy metal

- By Jeff Terich

Some of the best musical theater of the last 40 years has come straight out of hard rock and heavy-metal concerts: King Diamond’s ghoulish presence and operatic vocals; W.A.S.P.’s meat-pelting and models-on-torture-racks spectacle; and, of course, Alice Cooper’s death at the end of every show. Sure, there are plenty of earnest, plain-clothes metal bands that rely on musical performance over high drama, but to some degree, metal has always been about escapism. And no band in recent memory has embodied metal’s escapist tendencies better than Sweden’s Ghost.

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at 12:05 PM | Permalink | Comments
 
 
Check 1, Check 2 | Music & nightlife 04.18.2014 100 days ago

A guide to Record Store Day 2014 in San Diego

In-stores, swag and other notable happenings

- By Jeff Terich

Tomorrow—Saturday, April 19—is that chaotic, frantic, lines-around-the-block, limited-edition geek-out celebration of mom-and-pop, brick-and-mortar retail that we call Record Store Day. Some people love it, some people hate it, but whether you’re an eBay pirate looking to make some cash on reselling limited-edition Dave Matthews Band box sets or just looking to take advantage of some sidewalk vinyl sales and maybe grab a David Bowie picture disc, it’s at least worth checking out.

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at 12:32 PM | Permalink | Comments
 
 
Check 1, Check 2 | Music & nightlife 04.15.2014 103 days ago

Coachella proxima

Checking out some of the desert fest's side parties

- By Nicole Novak

If you haven't been to Coachella, sure, mourn the missed opportunity of rushing to pre-purchase (and then get on the payment plan—yes, there was a payment plan) your ticket, only to discover later the lineup's less than perfect.

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at 05:00 PM | Permalink | Comments
 
 
Check 1, Check 2 | Music & nightlife 03.28.2014 121 days ago

A Best of the First Quarter 2014 Playlist

The War on Drugs, Angel Olsen, St. Vincent and more

- By Jeff Terich
The first quarter of 2014 has almost come to a close, and in just three short months, a lot of great music has come across my desk and inbox. And I wouldn't be here if I weren't interested in passing along these great sounds to you, the reader. So I assembled a playlist—around 74 minutes long—of favorites of the first quarter of 2014, including The War on Drugs, Dum Dum Girls, St. Vincent, Angel Olsen, Big Ups, Indian, Katy B, Real Estate and a whole bunch of others.

I plan to do this again at the end of June, September and December, but so far, the year's shaping up nicely. Now turn up the jams.

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at 12:00 PM | Permalink | Comments
 
 
Check 1, Check 2 | Music & nightlife 02.17.2014

The Lawrence Arms live at The Casbah

Chicago punks age gracefully; their fans do not

- By Ryan Bradford

It's been eight years since I've seen punk band The Lawrence Arms. The last time I saw them was at an all-ages venue in Salt Lake City, supporting their 2006 album Oh! Calcutta! They'd been a favorite band of mine throughout high school, and I was excited to take this new girl to their show.  

Eight years later, and me and that new girl are now married. We have car payments. We have streaming video. We have a new president. And all this has happened in the time in the time it took The Lawrence Arms to release a new album: Metropole. 

As far as comeback records go, Metropole is excellent, just because it doesn't fall into the overcompensation that occurs when rock bands age. With lyrics like "I dream when I'm sleeping / I'll sleep when I die / I die every evening" and "My heart got kicked out of all of its homes / And dying young just didn't work so now I guess I'm dying old," it's a record about submission, and accepting your impending fall from relevancy, and admitting that Father Time is kind of a dick. 

Even if anxiety about getting older is fueling their strongest lyrical material, it was hardly apparent on Saturday night when they destroyed the sold-out crowd at The Casbah. With a set-list that pulled heavily from Metropole and Oh! Calcutta! (their best album, IMO), the band delivered a performance that had fists pumping with every lyric and drunk bros hugging each other. It felt downright triumphant. Even singer/bassist Brendan Kelly—usually one of the most caustic, sarcastic and funniest frontmen in punk rock—seemed to be humbled.  

However, one of the side-effects of aging is the enhanced ability to drain the glass half-empty, which is what happened when I realized that all the other times I'd seen the band were at all-age venues. It was a small trigger that made me pine for old days, when the pit was more about community instead of old drunks pushing against each other. And those venues never had security like The Casbah, who used excessive force to punish stage-divers and crowd-surfers. Honestly, I've never been a fan of crowd-surfers, but I saw a short brick of a man toss two concert-goers out by their necks. It was a sour end to an otherwise excellent night: angry at concert security and annoyed at the drunk punks, thinking about how it's unfair that things can't be like they used to be, and how we all might be too old for this.



Write to ryanb@sdcitybeat.com or follow him on Twitter at @theryanbradford

at 11:34 PM | Permalink | Comments
 
 
Check 1, Check 2 | Music & nightlife 01.22.2014

More details emerge about The Hideout

The space that formerly housed The Void shifts into neighborhood bar

- By Jeff Terich

More details have emerged about The Hideout, the new venue opening up at 3519 El Cajon Blvd.


The owners—who have chosen not to identify themselves—have invested in some upgrades to the bar and tentatively plan to have it open in February. In a conversation with CityBeat at the venue, while renovations were taking place, manager Allen Colaneri said The Hideout, whose tagline is "Grains, hops and music," will operate more like a neighborhood bar, expanding its hours to much earlier in the afternoon, and expanding the menu of beverages, from beers to craft cocktails. And, eventually, he says, they plan to serve food.


“It’s an everybody bar,” Colaneri says. “It’ll be comfortable, and you can feel right at home.”


One rumor about The Hideout that Colaneri wants to dispel, however, is that it won’t host regular live shows. Right now, it has three shows lined up: Warm Soda on March 6, The Casket Girls on March 7 and Solids on March 9. But Colaneri says there will be plenty more live music to follow.


“The new owners love music,” he says, “and we’ve all been going to The Casbah since we turned 21.”


Given that the space has closed so many times in the past—whether as The Void, Radio Room, Eleven or Zombie Lounge—there's a perceived risk about investing into a place that has been unsuccessful in the past. But Colaneri is hopeful that by putting some extra work and money into the club, it might be a positive example for other potential businesses along El Cajon Boulevard.


“That is the big question—whether we’re going to be a catalyst,” Colaneri says. “It’d be great if that happens.”

at 04:48 PM | Permalink | Comments
 
 
Check 1, Check 2 | Music & nightlife 01.13.2014

The Void to become The Hideout

City Heights rock club changing hands again

- By Jeff Terich
The City Heights rock venue located 3519 El Cajon Blvd. is changing hands again.

The Void held its last show—an alt-lit reading called Now That’s What I Call Poetry—on Dec. 16 and then quietly closed up shop, just shy of one year after changing from Eleven last January. However, a few calendar items appeared in the last week on the websites of both The Casbah and Soda Bar for shows taking place at a bar called The Hideout, which has the same address as The Void. And a private Facebook page is now up at facebook.com/thehideoutsd.

Shows booked at The Hideout so far are Warm Soda on March 6, The Casket Girls on March 7 and Solids on March 9.

Details about The Hideout are still pretty thin. The Void’s owner, Alex Kacha, confirmed via Facebook message that the club has been sold to “investors” who are planning to remodel the space. However, under terms of the sale, Kacha wouldn’t disclose who purchased the club or any details about its future.

CityBeat reached out to Hideout manager Allen Colaneri but wasn’t able to get in touch with him by press time. Casbah owner Tim Mays says that after the first few shows, The Hideout won’t regularly feature live music. The club has turned over numerous times. Before it was Eleven, it was Radio Room. Before that, it was The Zombie Lounge.
at 06:35 PM | Permalink | Comments
 
 

 

 
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