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Ephemeral Architecture Jul 29, 2015 Artist Philip M Soucy presents his first solo exhibition featuring new works in mixed media and oils as well as ceramic and installation pieces. 101 other events on Wednesday, July 29
 
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Home / Blogs / Staff Blogs / Check 1, Check 2
 
 
Check 1, Check 2 | Music & nightlife 06.03.2015 55 days ago

Deadphones share animated video for "Shattered Anchors"

Comic strips come to surreal life in new clip

- By Jeff Terich

Deadphones have been on a bit of a hiatus since last year, after releasing their excellent self-titled debut album, but while it's been a little quiet on the live show front, they've just debuted a new video for their song "Shattered Anchors."

The video was created by Don Cheney, an artist who has made videos for Hockey, Andrew Jackson Jihad and Cuckoo Chaos (which Deadphones used to be). The clip is an animated series of comic-strip panels, which look like they were taken from a romance comic, and feature word bubbles that alternate between lyrics from the song and strange, surreal statements like "I am the mother of your father's hypertension!" and "I am Bill Walton asking a cop if he's fascist."

What does it all mean? Not sure exactly, but it's an entertaining clip. Watch it below.




Read Peter Holslin's 2014 feature on Deadphones.
at 11:25 AM | Permalink | Comments
 
 
Check 1, Check 2 | Music & nightlife 03.02.2015

Hot Nerds share a weird, 12-minute short film

'Pre-Tension' is a surreal, behind-the-scenes clip

- By Jeff Terich

Weirdo art-punk trio Hot Nerds will release their new album, Strategically Placed Bananas, on March 10 via Three One G. And as a preview, the group has released a 12-minute faux documentary on the making of the album. It's an artfully done and increasingly absurd video, in which the band talks about getting food in their equipment, selecting the right wardrobe for their recording sessions, eating on both sides of the border and why The Cranberries are the only band they listen to.

As the clip progresses, it gets even weirder, with blurred faces, disguised voices and a pretty disgusting montage of a fast-food mountain. Anyhow, it's pretty out there, and you can watch the entirety of Pre-Tensions: A Strategically Placed Banana below.


at 11:59 AM | Permalink | Comments
 
 
Check 1, Check 2 | Music & nightlife 01.06.2015

North Park Theatre sold to Orange County venue owners

Observatory to take over historic location

- By Jeff Terich

Just a little more than a year after West Coast Tavern owner David Cohen took ownership of The North Park Theatre, the venue is changing hands once again. Cohen and The Verant Group have sold The North Park Theatre to The Observatory, which also owns The Constellation Room, a venue in Santa Ana. On Dec. 11, SD Observatory LLC filed a fictitious business name for The North Park Theatre with the county Assessor / Recorder's office.

Tim Mays, owner of The Casbah, has been booking shows at the theater for the past year and confirmed that The Observatory will take over the venue on Jan. 15. The Observatory has also purchased West Coast Tavern. As of right now, no major changes to the theater have been announced outside of the purchase.

The first show at The North Park Theatre after the transition is New Orleans rapper Curren$y, who performs on Jan. 16. There are also several artists who are playing both The Observatory and The North Park Theatre in the coming months, including Migos, Juicy J and Neutral Milk Hotel.

at 01:09 PM | Permalink | Comments
 
 
Check 1, Check 2 | Music & nightlife 10.21.2014

Judge upholds eviction of Che Cafe

UCSD wins battle with DIY venue in court

- By Jeff Terich

The Che Cafe has suffered another setback after a long series of conflicts with UCSD over the music venue's ability to keep its space. A judge ruled today in favor of the university in a two-day trial determining whether the UCSD had the grounds to evict the Che Cafe Collective.


UCSD originally served The Che with an eviction notice back in June, following a vote from the student-run University Centers Advisory Board to rescind funding for the venue’s much-needed repairs. The eviction was temporarily put on hold when The Che was granted a stay in court one month later. After UCSD’s victory in court, however, it would appear that The Che is running out of options.

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at 03:19 PM | Permalink | Comments
 
 
Check 1, Check 2 | Music & nightlife 10.07.2014

San Diego Music Awards winners: The full list

The Burning of Rome take home three awards, Jason Mraz two

- By Jeff Terich

After two years of predictions and partying at the San Diego Music Awards, I've reached a solid conclusion: I'm absolutely terrible at predicting which artists will take home awards. Hell, I'm not even sure you can come up with a logical system of figuring it out. But while I went zero for five this year in my own reading of the music scene's entrails, I was pleasantly surprised to find that three of the artists I wanted to win—Nathan Hubbard, Odessa Kane and Rebecca Jade and the Cold Fact—actually did! I'll call that a moral victory, if not an actual one.

Meanwhile, perennial why-is-he-even-nominated favorite Jason Mraz won both Artist of the Year and Best Music Video, accepting his award via phone. The Burning of Rome, meanwhile, had the most wins at three: Best Live Band, Best Alternative Album and Song of the Year. Have a look at the full list of winners below.

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at 12:03 PM | Permalink | Comments
 
 
Check 1, Check 2 | Music & nightlife 09.30.2014

Live review: Paul McCartney at Petco Park

Three hour, 39-song set included lots of Beatles, some Wings and new tunes

- By Davis

Watching Paul McCartney perform at Petco Park Sunday night, I realized how inherently sad Beatles songs are. There are the obviously sad songs like "Eleanor Rigby" and "Yesterday." Then there are the songs where the sad sneaks up on you, like the refrain in "Getting Better": "I've got to admit it's getting better" (backing vocal: "Better") "A little better all the time" (backing vocal: "It can't get more worse"). Bummer, right?

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at 04:22 PM | Permalink | Comments
 
 
Check 1, Check 2 | Music & nightlife 09.01.2014

Photos: Drive Like Jehu at Spreckels Organ Pavilion

Band plays live for first time in 20 years

- By Davis
After playing coy with fans for the last year or so, post-hardcore San Diego band Drive Like Jehu performed live last night for the first time in 20 years. But it wasn't your normal rock show. The one-hour set was accompanied by San Diego Civic Organist Carol Williams at the Spreckels Organ Pavilion in Balboa Park—and it was free! And all ages! And it started at 7 p.m.! Meaning an audience of post-hipsters, kids—and kid-sized noise-supression headsets. Consensus: Awesome event. More, please. The only thing that would have made it better is if drummer Mark Trombino set up a Donut Friend booth. And now, scroll on down for some photos from the show.

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at 12:48 PM | Permalink | Comments
 
 
Check 1, Check 2 | Music & nightlife 08.22.2014

Nine Inch Nails live at Sleep Train Amphitheatre

Industrial legends soundtrack a baffling arena sideshow

- By Jeff Terich

I've never been much of a fan of seeing shows in arenas or stadiums. And yet, I've still seen my share—David Bowie at Irvine Meadows, Garbage at RIMAC, an FM 94/9 Christmas show about four years ago, etc. But sometime between having to squint to see Beck and straining to hear Vampire Weekend, I had more or less quit cold turkey. With the exception of Bowie, almost none of these shows were worth the baffling ordeal, questionable acoustics and parking nightmares one would have to endure just to hear the hits.

When Nine Inch Nails announced they'd be coming to San Diego, however, I thought I was ready to give it another shot. I've been listening to the band since the depths of my most awkward junior-high years, and though I have little interest in going on a nostalgia trip for the sake of itself, there are enough good songs in the band's catalog that a giant spectacle of a show—one whose scope would make sense only in the context of a giant arena—might actually seem worth it.

The show, held at Coors Amph... I mean Cricket Wirel... make that Sleep Train Amphitheatre, was in fact a double-shot of 1994 mania, since it also featured grunge icons Soundgarden, who played an almost-headliner-length set in an opening slot. They stacked the hits high and wide: "Outshined," "Blow Up the Outside World," "Spoonman," "Fell on Black Days," "Black Hole Sun" and "Rusty Cage," to name a few. And they pretty much nailed it each time, holding on to some of their youth while looking slightly grayer than we remember them (guitarist Kim Thayil has an awesome Fidel Castro-meets-Hulk Hogan look at the moment).

 

I didn't stay in my seat during the whole of Soundgarden's set, instead taking the opportunity to shell out $9 for tacos and $13 for one beer from the one cart in the venue that wasn't plastered with the Budweiser logo. And it's a good thing, too—someone sitting directly behind me unleashed a torrent of puke shortly after I left, instead hitting the ankles of the bros squatting nearby.

I was ready to forget all of the tacky business around me once Nine Inch Nails started, and for a time, I did. With no warning or fanfare, Trent Reznor simply walked onstage and started the 2013 single "Copy of A," joined by his bandmates gradually during the course of the song. Their set was stark but vibrant, a high-tech series of light displays and simple backdrops inspired more by Kraftwerk than, say, Nine Inch Nails circa 1994. Though that doesn't mean that things didn't kick into higher gear soon enough, with a blistering performance of "March of the Pigs" transitioning into "Piggy," and a booming version of 1989's "Terrible Lie" transitioning into a cool take on "Closer," mixed with elements of Pretty Hate Machine deep cut "The Only Time."

Nine Inch Nails at Sleep Train Amphitheatre
photo by Candice Eley

 

But, as strong a live band as Nine Inch Nails is, it was hard to escape the frustrations that had built up in just a few short hours: The price gouging, the vomit pool, the creepy 50-year-old bro on pills who didn't and couldn't realize I didn't want his company, the nagging reminder that I'd have to leave early to avoid being stuck in the parking lot, the people in the VIP seats literally looking down on me and the promoter's senseless bureaucratic rules—when you photograph a show, you usually have to leave the pit after the third song; here, they make you leave the fucking venue.

All I could think of was Sun Kil Moon's song "Ben's My Friend," in which Mark Kozelek describes seeing The Postal Service at a giant amphitheater: "Ben's my friend but getting there's the worst / Trying to park and getting up the hill / And finding a spot among the drunk kids staring at themselves." I'm not nearly as old and grumpy as Kozelek, but while I enjoyed watching the show—or most of it anyway—being there mostly reinforced what I already knew going into it.

And I left with a shrug. 

Nine Inch Nails at Sleep Train Amphitheatre
photo by Candice Eley

 

at 12:07 PM | Permalink | Comments
 
 
Check 1, Check 2 | Music & nightlife 08.19.2014

Drive Like Jehu reunites

Band playing free show at Balboa Park

- By Jeff Terich

It's finally happening. After 20 years, Drive Like Jehu has announced that they're getting back together. Pretty much since the local post-hardcore outfit broke up in 1994, fans have been clamoring for a reunion—and that includes me—though the best we ever got were some pretty frustrating hoaxes.

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at 04:44 PM | Permalink | Comments
 
 
Check 1, Check 2 | Music & nightlife 08.11.2014

San Diego Music Awards announce nominees

The Burning of Rome, Little Hurricane top the list of nominated artists

- By Jeff Terich

It's San Diego Music Awards season, and this year's nominees have just been announced. There are a lot of worthy entries on the long list of nominations, including local MVPs The Burning of Rome, Little Hurricane and The Midnight Pine, as well as newcomers like Soft Lions and hard-working underdogs like Eukaryst, who are profiled in this week's CityBeat.

And then there's Jason Mraz and Switchfoot. It wouldn't be the San Diego Music Awards without a few ringers, no matter how cliche it is for Switchfoot's name to show up—again. But Jason Mraz seems a little more of a stretch. Is Mraz even really a "San Diego artist" at this point? I'm inclined to say no, considering he's only scheduled three shows here this year, all in stadium-sized venues and all sold out. That, to me, doesn't say "local artist," but your mileage may vary.

In any case, here's the full list of nominees:

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at 11:10 AM | Permalink | Comments
 
 

 

 
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