SIRO-AMar 09, 2014A six member Japanese performance group from Sendai, Japan who combine interactive entertainment with electronic music and visual illusions that has been described as "Japan's answer to the Blue Man Group.44 other events on Sunday, March 9
Lil B is fucking weird. The Berkeley rapper, born Brandon McCartney, scored his first hit, 2006’s sneaker anthem “Vans,” with The Pack, a group he formed in high school. But rather than build on that group’s success, Lil B retreated to the Internet.
Stuntdouble & Tenshun have been making funky, intelligent hip-hop since the mid-’00s. In 2011, the duo released the first of three EPs as part of Welcome to San Diego, a series that speaks to local issues with biting humor.
It’s a Friday night in October, and local rapper and producer Michael Quiñones is setting up a projector at Headquarters Café, a coffeehouse in El Cerrito that might be the ideal new spot to showcase his music.
When rappers like Common and Mos Def got big in the 1990s, record companies concocted a new label, “conscious hip-hop,” to neatly package their sociopolitical-themed music and exploit an older, more affluent and often elitist demographic.
On a Saturday afternoon in June, local rapper Perry Wilkins Jr. stares out across several houses. Dressed in a flannel shirt with rolled-up jeans and boat shoes, he’s hanging out on a large wooden balcony at “The Flight Deck,” the home of a friend, on a steep hill in Encanto, in San Diego’s sprawling 4th City Council district.
On a Saturday afternoon at Ranchos Cocina restaurant in North Park, Jack King, Jamal Smith and Brandon Zamudio bounce off each other electrically. Between the three members of local hip-hop group Parker & The Numberman, you can hardly get a word in.
The first installment of Critical Beatdown—a monthly series dedicated to a new class of glitch-laden, avant-garde, instrumental hip-hop and electronic music known simply as “beat” music—took place at Kava Lounge in January 2011. A year-and-a-half later, the series is going strong.