What’s going on with 4th & B? On Tuesday, arts group RAW: San Diego announced on Facebook that its “Holiday Rawk” show—slated to be held at the Downtown club on Thursday, Dec. 13—has been canceled “due to the sudden closure of 4th & B.”
Post-rock bands are the jocks of the indie-music world. With their extra-long band names and even longer songs, they bludgeon the listener with awesomeness and artistry (and political awareness, in the case of Godspeed You! Black Emperor).
Most people would recognize Ben Johnson as that dude who serves up drinks at The Casbah, but many also know him as a badass local musician with many a project under his belt.
Songwriter / percussionist Alfred Howard has been keeping busy. In between his work with The Heavy Guilt and The Black Sands, he’s been doing a new project, The Midnight Pine.
If it weren’t for fans, friends and sympathetic bosses, lots of great musicians probably wouldn’t be where they are today. But what about all that gear that makes music happen in the first place?
Tom Krell makes sad music. The songwriter behind the lo-fi-pop project How to Dress Well, his productions are dark and alluring, featuring skeletal instrumentation and wistful melodies.
My friend Hannah Rappleye recently saw Rush in New York City, and she reports that the show was “awesome.” In a three-hour set, the Canadian power trio played every song from its new album, Clockwork Angels, along with many classics.
Wales-based punk band Future of the Left doesn’t seem pleased with The Ché Café. After the band played a sold-out show at the UCSD venue last Friday night, someone tweeted from the band’s Twitter account (@shit_rock): “Worst venue I have ever played AND I HAVE TO PLAY IT AGAIN TOMORROW.”
The indie-music scene in Tijuana seems to get bigger, stronger and a whole lot more interesting with each passing year. That’s the thought that kept crossing my mind as I attendedAll My Friends Music Festivalat Tijuana’s Casa de la Cultura on Saturday.