For some, the image of The Aquabats looms large in the imagination. Years before the advent of YouTube, they made their live show a multimedia experience, with video interludes, onstage battles, bopping beach balls and toddlers crowdsurfing on inflatable rafts.
Gary Wilson's live shows—he's been known to incorporate bizarre costumes, sexy mannequins and messy onstage antics involving bags of flour and other unlikely items—freak out the squares and inspire the freaks in equal measure.
For their new, self-titled album, Brooklyn’s The Blow decided to do things the hard way. During the span of several years, the artsy electro-pop duo hunkered down to record samples of analog instruments and vintage synthesizers.
In recent weeks, Hungtai’s made the road a temporary home as he and his bandmates tour in support of their latest album, Drifters / Love is the Devil, a beautiful double LP—which came out on Zoo Music, the label run by Crocodiles’ Brandon Welchez and Dum Dum Girls’ Dee Dee Penny.