The Men’s new album, Tomorrow’s Hits—released in March via Sacred Bones Records—is a wild synthesis of all that’s come before it: keys, slide guitar, harmonica and horns over frayed-edge rock ’n’ roll.
The Dodos—who’ll play at The Loft at UCSD on Friday, April 11—changed a lot about their approach with Carrier. They recorded in a new studio (Tiny Telephone) with a new set of collaborators, including The Magik Magik Orchestra.
Crisci planted the seeds of The Appleseed Cast in Southern California before moving to Lawrence, Kan., between the release of Ring Wars and the band’s 2000 sophomore effort, the concept record Mare Vitalis.
Dee Dee, along with producers Sune Rose Wagner of The Raveonettes and Richard Gottehrer (Blondie, Richard Hell), creates a more immersive sensory experience on Too True, from the reverb-laden post punk of “Rimbaud Eyes” to the über-catchy, dream-pop hooks of “Too True to Be Good.”
Oneohtrix Point Never (pronounced “one-oh-trix”)— who’ll play at The Irenic on Feb. 8—“won’t let other people meddle with,” it’s constantly evolving and complex, often as concerned with the technical aspects of his process as the end result.