User Box
Facebook Connect
Search
  • Sat
    11
  • Sun
    12
  • Mon
    13
  • Tue
    14
  • Wed
    15
  • Thu
    16
  • Fri
    17
heART on Center Feb 11, 2012 A free arts education event in South Bay featuring live music, food, local live art, and much more. Happening on Center St. in Chula Vista. 74 other things to do on Saturday, February 11
 
Last Blog on Earth | News
Tiny Tots program director says mayoral candidate's staffer asked them to leave so he could promote volunteerism
The Enrique Experience
Local queen is going to ‘drag Disneyland’
News
Consultant stands to gain financially by convincing SDUSD to sell more bonds

 

 
Home / Articles / Arts / Cover artist /  Mark Merchant
. . . . .
Tuesday, Jun 23, 2009

Mark Merchant

The guy behind the hungry drifter on this week's issue

By Seth Combs
coverartist-prime

Learning about Mark C. Merchant plays out like a series of What the fuck? moments.

You’d think that a Pacific Beach tattoo artist (he, himself, is a human canvas) with a Texas drawl would either be making custom car parts or making trouble at the local bar, not crafting beautifully detailed paintings that have been shown all around the South and bought by people like Kate Pierson of The B-52s. Oh, and another thing: He’s a non-smoking, non-drinking, bicycle-riding vegetarian who’s never had a cup of coffee in his life and is heavily into the International Society for Krishna Consciousness.

Seriously, what the fuck? “Best of all, I do not judge anyone by any of these things,” Merchant says. “We all have free will. I try to support everyone unconditionally.”

And just as with Merchant, it’s best not to judge his art on first impressions. It would be easy to assume that he might be inspired in equal parts by Ed Roth’s Rat Fink characters from the 1950s and ’60s, graphic novelists like Dave McKean and the coarse intricacies of ancient cave paintings and renderings of mythological beasts. It’s an assessment that Merchant understands when hearing it, especially in the context of the piece of the cover of this week’s CityBeat, “Loudest One at the Silent Auction.”

“I use whatever is somewhat flat and will hold the paint,” Merchant explains. “That piece just happened to be on wood. I love weathered wood. It is a creature of sorts, kinda cave-artish. Whimsical. Probably needs food and a good home, not unlike most of us drifting along.”

And if Merchant is optimistic about the creature in his painting, it extends to all parts of his life. His paintings might not be cute or fun, and some might even be scary to look at, but they get a reaction, and that’s what he wants the most.

“One time, a very good friend teared up as I described a painting to him at an opening,” Merchant says. “It was about a mother bird asking her two kid birds which they would like first, the good news or the bad. I was moved, as he had a similar broken-home upbringing. Moving others and being moved is something I cherish.”

 
 
 
 
 
 
Close
Close
Close