According to Luther Wright and the Wrongs, The Wall should have been a country record. Hence their third disc, a re-concept album called Rebuild the Wall, is a bluegrass remake of all 26 songs in their original order. Where Pink Floyd used synths to express existential mirth, Luther uses fiddles, pedal steel, and oh-so-glorious banjo. Where Roger Waters howled lyrics from the black place in his soul, Luther drawls with the melancholy of a bootlegger whose moonshine still was smashed by the feds. The best part though, or so I've been told, is the live show. As Luther's backwoods cousin/wife puts it: “Is all dem yer gee-tars?”
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The Tag Project
Feb 10, 2012
Local artist and SDSU professor Wendy Maruyama’s exhibition shows the impact of WWII Japanese-American internment camps.
59 other things to do on Friday, February 10
Last Blog on Earth | News
Tiny Tots program director says mayoral candidate's staffer asked them to leave so he could promote volunteerism
The Enrique Experience
Local queen is going to ‘drag Disneyland’
News
Consultant stands to gain financially by convincing SDUSD to sell more bonds
