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Nite Owls: The Darkroom Apr 24, 2014 A fun music and art mixer for 21to 40-somethings. This one includes a discussion with photographer Omar Lopez, a DJ playing old jazz records, collaborative art projects and darkroom photography activities. 59 other events on Thursday, April 24
 
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Documentary about ill-fated project leads our rundown of movies screening around town
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Ten bucks an hour just ain’t enough

 

 
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Tuesday, Feb 18, 2014

What’s new on Bandcamp?

A look at some new releases by San Diego bands

By Jeff Terich
smoking1 Matthew O

If you search for albums tagged "San Diego" on Bandcamp, you'll find some interesting stuff.  In this semi-regular column, we sift through recent Bandcamp postings and report on our findings.

Live from the Lab, Edgar Is Real and Robinson Wigfall: It's not particularly rare in 2014 to hear live, jazzy hip-hop played by a full band rather than doled out in carefully stitched-together samples, though Edgar Is Real and Robinson Wigfall are very much doing the latter, despite the "live" in their record's title. Yet, Live from the Lab has such a smooth, organic flow to it, at times you can almost believe they've assembled a group of musicians in the studio. Whatever the case, they dispense chill beats with ease. 


littlecoaldoves e.p.
, littlecoaldove:
I don't really get what's going on with littlecoaldove's e.e. cummings-without-a-space-bar stylization, but I suppose that's not really important. The music he makes is less pretentious—solo-dude-with-acoustic-guitar folk that's reminiscent of Bon Iver before Justin Vernon went full-on Bruce Hornsby. It's nice enough, if not terribly memorable. 


Embodiment, Matthew O: Well, this is certainly odd. Matthew O's Bandcamp page is tagged with lots of genres that probably shouldn't be smashed together: "jazz & blues," "metal," "hip-hop," "minimalism," et al. That's a bit misleading; Matthew O doesn't really rap, shred, jam out or anything like that—he basically recites disturbing monologues over peculiar electronic compositions. It's somewhere between a robot reading poetry and a snuff film. He's certainly got my attention.


Spam, e-mailio estevez: I initially listened to this based on the name and pixilated image of a can of Spam, but it turns out this three-track release is a lot less jokey and cute than it initially seems. The EP is actually a series of ambient exercises using MIDI recreations of acoustic bass (or so it sounds, anyway). It's oddly soothing, pretty even. 


Finding Home for the First Time, Hotel Books: A split EP with Brave Coast, this short release combines post-rock instrumentals with spoken-word verses that approach screamo when the vocalist is at his most fired-up and seething. Itís emotional stuff, if kind of pretentious, and fascinating, if not necessarily fun to listen to. I keep waiting for the drums to kick in, but they never do. Solid effort for what it is, though.


Email 
jefft@sdcitybeat.com or follow him at @1000TimesJeff




 
 
 
 
 
 
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