My Friends

Arrow Up

Arrow Up
Arrow Down
,
Log in to use your Facebook account with
San Diego CityBeat

Login With Facebook Account

Recent Activity on San Diego CityBeat
  • Wed
    19
  • Thu
    20
  • Fri
    21
  • Sat
    22
  • Sun
    23
  • Mon
    24
  • Tue
    25
Taste of Little Italy Jun 19, 2013 Enjoy live music while dining at 28 restaurants in one of San Diego's most historic communities. 38 other events on Wednesday, June 19
 
Last Blog on Earth | News
Council president denies pressuring CDBG-allocation chairman
News
Environmental-justice leader is finally being heard
There She Goz
The day I faced my demons and modeled for a nude-drawing class
Check 1, Check 2 | Music & nightlife
Sensori Collective modeled on Kava Lounge's popular 'Family Matters' showcase
News
Diabetic and cancer sufferer’s journey from the Sydney waterfront to basketball greatness to the front lines in San Diego’s medical-marijuana wars

 

 
Home / Articles / Arts / Seen Local /  Don’t plop down on Erin Dace Behling’s furniture
. . . .
Wednesday, Jan 09, 2013

Don’t plop down on Erin Dace Behling’s furniture

Concrete is the designer’s current material of choice

By Amy T. Granite
seen1 “Tufted,” Erin Dace Behling’s concrete and plywood bench

Erin Dace Behling grapples with how to label herself: artist, designer or craftsperson? The materials she uses change the function of otherwise familiar pieces of furniture; you wouldn’t want to plop down on her bench or circular settee, because what appears to be tufted material is actually concrete that Behling pours into molds lined with fabric, so that after it’s set, peeling the material back yields a tricky, textured effect.

“I’m playing with tufting, softness and seduction,” Behling says of the concrete pieces. “Applying the concrete makes it austere, and more low-brow. So, it’s about materials versus the form, and the duality of the two.”

The majority of Behling’s work is dual in one way or another—masculine materials paired with feminine techniques like stitching and upholstering—and of high-brow design but made with a commonplace material. Her French chaise lounge, for instance, is covered in medium-pile, hardware-store carpet that Behling says is meant to suggest tract housing and apartment living.

Among Behling’s other funky works are a couch made from concrete roof shingles and wooden stools with cotton piping she wove for the seats.

“Something that’s really important,” she says, “is that moment of discovery—I think you need to get up to my work and see it, because it’s not immediately what it seems.”

Behling’s work will be part of ModernF: Where Furniture is the ARTform, an exhibition at White Box Contemporary (1040 Seventh Ave., Downtown) running from Wednesday, Jan. 9, through Jan. 27. The show also features work by Dominique Houriet, Marcus Papay, Jennifer Anderson and Vince Robles, winner of the 2012 San Diego Art Prize. A closing reception will be held from 7 to 9 p.m. on Jan. 26.

Behling, a master’s candidate at SDSU, says her work lies somewhere between construction worker and furniture designer. Being a young, petite woman has presented challenges in places like Home Depot, which she says she’s now boycotting, where men would call out, “You go, girl!” as she loaded plywood into the car. Behling says she’s now a loyal customer of Squires-Belt, a building-materials store in Southeast San Diego.

Amy blogs at saysgranite.com and you can follow her on Twitter @saysgranite.

 
 
 
 
 
 
Close
Close
Close