User Box
Facebook Connect
Search
  • Wed
    23
  • Thu
    24
  • Fri
    25
  • Sat
    26
  • Sun
    27
  • Mon
    28
  • Tue
    29
Education of the Modern Doctor: Marcus Welby vs. House May 23, 2012 A philosopher and a physician discuss whether the arts and humanities have a place in medical education. 46 other things to do on Wednesday, May 23
 
Last Blog on Earth | News
Lorie Zapf hopes a show of community support will save the stems
News
Our case against San Diego's most objectionable politician
News
Juvenile-justice experts question whether San Diego County Probation relies too heavily on OC spray to manage youth behavior
Editorial
The devils you know: We weigh in on local, state and federal races
Last Blog on Earth | News
And then publicly slams him

 

 
Home / Articles / Music / Soundwaves /  Another nutty effort from The Big Thank You
. . . . .
Wednesday, Feb 15, 2012

Another nutty effort from The Big Thank You

Experimental trio’s new release is solid even without drugs

By Peter Holslin
thebigthankyou The Big Thank You

The Big Thank You
Guardian Angel Roadside Chapel:
Demos & Retakes
(self-released)

My copy of Guardian Angel Roadside Chapel came with two curious little pills and a handwritten note instructing me to ingest them half an hour before putting the album on. I appreciated the offer, but I don’t do drugs—and I sure as hell don’t pop pills that come out of a vending-machine-style plastic capsule. However, I’ve found that The Big Thank You’s sophomore release, though flawed, is solid without the aid of medication.

A little-known local trio, The Big Thank You follow roughly the same path on Guardian Angel as they did on last year’s excellent debut, Audio Sapien Medicine Show. That is to say, there is no path—using electronics with modified circuits, fuzzed-out guitars and world-beat drum-machine rhythms, their lo-fi sound owes as much to Indian raga as Tom Waits.

Still, Guardian Angel has a much grittier vibe than Medicine Show, partly due to added instrumentation. As Tomas Hicks lays down bass lines, Hicks, bandleader Jesse Fox and multi-instrumentalist Shaun Watkins trade off on vocal duties. For music that was designed as a soundtrack for tripping balls, their plainspoken voices offer welcome emotional heft.

Not every song on Guardian Angel is a success. “Our Lady” opens promisingly, with a cloud of cosmic bleeps and blurps that would put an LSD-addled listener in a pleasant reverie, but the trio trips over itself in the awkward groove that follows. “Vaqueros” manages to cross upbeat ska with windswept Ennio Morricone, but it suffers from some aimless guitar noodling.

But at their best moments, The Big Thank You can be breathtaking. The spaced-out, unremittingly dark electro-blues ballad “Jewel Box”—which features Fox dueling with The Heavy Guilt’s Alfred Howard on squealing, circuit-bent radios—is perhaps the band’s best track yet. With Hicks singing about transients, tweakers and barflies, the track sounds like something out of an early Jim Jarmusch film.

Only adventurous listeners would dig something as weird as Guardian Angels, but I didn’t miss out by not taking those two little pills. It would’ve been a nutty trip, either way.


Email peterh@sdcitybeat.com or follow him on Twitter at @peterholslin.

 
 
 
 
 
 
Close
Close
Close